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顾恺

网络kai

顾恺

顾恺

kai

对她要求甚严，临摹顾恺(kai)之的《洛神赋图卷》、顾闳(hong)中的《韩熙(xi)载夜宴图》、石涛的山水册页等，一笔不许懈怠 …

1

Gu Kaizhi's theory of painting is quite rich in aesthetic thinking , and with a very useful reference value today.

顾恺之画论包含的美学思想颇为丰富，迄今仍然很有借鉴价值。

2

However, his theory of "spirit out of form " in his aesthetics has left a great impact upon and a big controversy among future generations .

但顾恺之传神美学中 “以形写神 ”的理论，留给后人的影响与争议同样巨大。

3

The theory of "Soul Communication" , raised by Gu Kaizhi in Dongjin Dynasty , was the earliest and a mostly comprehensive theory in painting .

“传神论 ”由东晋 ·顾恺之提出，是我国最早较完备的绘画理论。

4

Gu Kaizhi, known as the founder of traditional Chinese painting , and his scroll paintings , represented the painting style of the period.

在绘画上，被尊为画祖的顾恺之和他的卷轴画最具有代表性。

5

Which focused on the Gu Kaizhi's "vivid " and "Fanny would have to move" on the "Lo River Map" in the concrete embodiment .

其中重点谈到顾恺之的 “传神论 ”和 “迁想妙得 ”论在《洛神赋图》中的具体体现。

6

On Gu Kai- zhi 's Idea of "Transformation in Imagination Bring Unexpected Acquisition "

对顾恺之 “迁想妙得 ”命题的再思考

7

Whether it was Moben, the repair, are sufficient insight into Gu (Gu Kaizhi) and then with the style are similar .

无论其为摹本，修缮本，都足以窥见顾氏（顾恺之）及当时画风都是与之相似。

9

It says here that Gu Kaizhi is quite good at painting figures .

这儿写着顾恺之非常擅长人物绘画。

10

And Gu Kaizhi, "the history of women Zhen map" , also was retained in the world, sufficient for our reference .

而顾恺之《女史箴图》，亦尚留存于人间，足以供我们参考。

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